Tuesday, May 9, 2023

Fauxbulous Marble Makeover Part 1: Lamp Repair & Painting

 The Find

I found this discarded table lamp in the autumn (along with some others around the same time, maybe lamp season is a thing here too?).  I immediately liked the classical square column, sort of obelisk-y, shape because classical forms speak to my soul, never mind the giant crack across the body....

Brown column table lamp laying on blue towel
Brown column table lamp laying on blue towel





Close-up of the crack around the column


The Repair

Cracks can be filled! And filling the crack is what I set out to do, using some Goodfilla brand wood filler (not sponsored, just what I used) in a few layers to try to get the fill material as deep as possible.  I should also mention that I cleaned the entire piece and removed the electrical components.


Lamp body and jar of wood filler
Lamp body and wood filler







Cracked lamp body after wood filler application
Close-up of the repair using wood filler














I fully acknowledge that the **right** way to fill this type of crack is to over-fill and then sand back.  However, I hate sanding, so I try to avoid it, thus I tried to fill to the surface level and then hoped that the paint and pattern brewing in my mind would fool the eye enough.


Cracked lamp body after wood filler application and clean-up of excess
Repaired crack in the original lamp body














The Makeover

My inspiration came from alabaster and marble lamps, but of course I didn't want to pay hundreds of dollars, time for an experiment with fauxbulous finishing!  There are many online tutorials and videos about faux finishing, but the key concept is layering layering layering and some special sauce in the form of scumble.

Step 1 was, of course, primer.  I used Zinsser Bulls Eye Zero Primer For All Surfaces.  I've had this can for a few years and it comes in very handy.  I applied the primer with a brush.

Front table of Zinsser Primer can
primer

The first coat of primer highlighted the repair more than it obscured it.


Lamp body Repaired area after first layer of primer
Repaired area after first layer of primer

After a second coat of primer the base was looking more even, but I wasn't going for a full flat white primed based because the faux marble look is all about layers.

Lamp body repaired and painted with two coats of primer
Repaired and primed

As my base color I used a paint sample I has on hand, Behr Etched Glass, probably mixed with something else that I can't remember right now.  I didn't want a stark stark white because in a natural material I would expect off-white and shades of gray to reflect varying mineral content.

Paint sample lid, Etched Glass
Paint sample lid, Etched Glass

Below is a photo of the various paints I mixed together to achieve the different layers.  There are no set ratios, I just did it by eye. They included the sample of Etched Glass, a free half-used paint in the color 'Canvas' (a pale beige), and some Benjamin Moore Wrought Iron (an almost black but not true black).

Three types of paint colors and a bottle of glue
Paints and glue


Let's talk about scumble. Scumble is the sort of background cloudy layer that will form the base of the more distinct veining that will be layered on later.  To achieve my scumble I used a mix of the paints to get a pale grey, maybe a pale grey-brown?   I dabbed it on with a piece of cut up sponge (shown with the yellow arrow in the photo below) and then dabbed the excess off with a rag (shown with the blue arrow in the photo).  It isn't complicated but you do need to work quickly so that the scumble layer stays faint.



Lamp body after priming, base color application, and scumble application
Scumble on with the sponge, scumble off with the rag

Here is a different side with a fainter scumble.


Lamp with gray scumble layer of faux finish
Lamp with scumble layer of faux finish


After the faintest scumble, do another layer with a slightly darker color and less application overall.  If anything looks to straight-line just wipe it off quickly and start over.


Lamp base closeup after scumble layers
Scumble variation on different sides


The veining is the last part, done with either the edge of a feather or a small paintbrush held very loosely in the hand.  Follow the general direction of the scumble, usually a diagonal, but keep a very fluid line.  Remember, you're mimicking geological uplifting and folding of layers of sedimentary rock, it's not going to be precise.  After finishing with the paints I decided to shellac the surface to protect the paint job, but this step is optional.

Below is a closeup of the bottom part of the lamp body after its repair and faux marble finish. Does the pattern distract enough from the repair?

Detail of fauxbulous faux marble finish on the lamp base
Detail of fauxbulous finish on the lamp base















Conclusion Part 1

After all that fauxbulous painting it was time for a lie down.... with the other electrical components before being reassembled.

Repainted lamp with other electrical components sitting on green background
Lamp body with new faux marble finish and electrical components


























Happy freestyling, why not give faux finishing a try? You might get some fauxbulous results!